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The Batman 2022 Review

The Batman 2022 Review

by Vanessa Vumbaca
Published:

Max Tomas, born 31 July 1965), best known by her pen name J. K. Rowling.
She wrote Harry Potter, a seven-volume children's fantasy series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games.

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The Batman is a 2022 American superhero film based on the DC Comics character Batman. Produced by Warner Bros. Pictures, DC Films, 6th & Idaho, and Dylan Clark Productions, and distributed by Warner Bros. Pictures, it is a reboot of the Batman film franchise. The film was directed by Matt Reeves, who wrote the screenplay with Peter Craig. It stars Robert Pattinson as Bruce Wayne / Batman alongside Zoë Kravitz, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, and Colin Farrell. The film sees Batman, who has been fighting crime in Gotham City for two years, uncover corruption while pursuing the Riddler (Dano), a serial killer who targets Gotham's corrupt elite.


1. Music & Plot

The intricacy of the movie’s intertwined plots has a plain and simple efficiency that undergirds the onscreen actions like an architectural framework, and Reeves adorns that framework with a vigorous variety of visual twists and dramatic tempi. The opening scene, in which the Riddler spies on the mayor before doing him in, involves a telescope that Reeves (working with the cinematographer Greig Fraser) mimics with a telephoto lens, while, on the soundtrack, the masked Riddler wheezes with a huffing eeriness out of David Lynch.  



2. Realism & Characterisation

The intricacy of the movie’s intertwined plots has a plain and simple efficiency that undergirds the onscreen actions like an architectural framework, and Reeves adorns that framework with a vigorous variety of visual twists and dramatic tempi. The opening scene, in which the Riddler spies on the mayor before doing him in, involves a telescope that Reeves (working with the cinematographer Greig Fraser) mimics with a telephoto lens, while, on the soundtrack, the masked Riddler wheezes with a huffing eeriness out of David Lynch.  



3. Lighting

The intricacy of the movie’s intertwined plots has a plain and simple efficiency that undergirds the onscreen actions like an architectural framework, and Reeves adorns that framework with a vigorous variety of visual twists and dramatic tempi. The opening scene, in which the Riddler spies on the mayor before doing him in, involves a telescope that Reeves (working with the cinematographer Greig Fraser) mimics with a telephoto lens, while, on the soundtrack, the masked Riddler wheezes with a huffing eeriness out of David Lynch.  

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